Gallery Happenings

I See The Future:

Youth Voices Dreamcasting for a Healed and Whole World

October 5th through December 5th, 2021

In our fourth exhibition of the year, I See the Future, young DC artists were asked to submit works that capture the future they want to see and imagine their own potential impact on the world using the following questions as a guide:

How do we build a better world together? 

How do you want to show up in the world and what does that look like? 

What will it take to create a world where everyone’s needs are met? 

How can we dream the future into being?

Also on view:

Works created by young men apprenticing in Life Pieces to Masterpieces program in NE, DC. 

Winning essays from the Columbus Municipal School District in Mississippi’s 1st Annual Hopes & Dreams Essay Writing Contest. 

Special Thanks  

Duke Ellington School of the Arts

Peace of Art DC

Life Pieces to Masterpieces

Free Minds Book Club & Writing Workshop

Columbus Municipal School District

BitterSweetMonthly


Previous Exhibitions

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Drylongso:

An Ode to the Southern Black Landscape

Created by Curry J. Hackett

August–September 2021 / EXTENDED to October 10, 2021

Borrowing the old Black colloquialism meaning “ordinary” or “same old”, Drylongso: An Ode to the Southern Black Landscape is an acknowledgment and celebration of Black everyday life in the American South. This multi-generational collection of recorded phone conversations from Hackett’s family in rural Prospect, VA comprises a rich array of the under-recognized yet customary ways Black folks maintain and care for land, space, and people. Presented as an audiovisual collage, Drylongso asks what can be learned by documenting ordinary Black existence, as told in Black folks’ words.

The accounts offered in Drylongso are in dialogue with two timely conversations of today: the recognition of Black women as crucial protagonists in American society; and the need for reparations in the wake of mass dispossession of Black-owned land. These underscore the complicated relationships between struggle, agency, and joy in Black life. Moreover, by situating Blackness in the rural South, Hackett considers the Black landscape not only as one of flora and farming, but also as one of resistance, imagination, ritual, and memory.

While these conversations hail from families in rural Virginia—nearly 200 miles from Washington, DC—Drylongso invites you to discover your own personal connections to the stories’ underlying themes of family, identity, and perseverance.

Listen to the full set of conversations on SoundCloud.


Neighbor As Thyself

April 17th - July 11th, 2021

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Inspired by the ancient command to “love thy neighbor as thyself,” and the philosophy that we get our ethical mandate from our neighbor’s face, Neighbor As Thyself, is a group exhibition of DC-based artists exploring the relationships we have with one another, both through their own creative process and in their final work.

What do you see when you look in the face of another?

How do we love our neighbors and create a culture of neighbor care?

Image of Neighbor Wall at entrance into exhibition

FEATURING

DAVID R. IBATA

CRAIG KRAFT

RHEMA JORDAN LABBE

SERLI LALA

 

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Obi Okolo
Objective: The Things That Are Real, 2021
Test Shot

Obi Okolo
Objective: The Things That Are Real, 2021
Gallery Detail
photo by Obi Okolo

 
 
 

Objective: The Things That Are Real

January 27th - April 11, 2021

Created by theTwelve member Obi Okolo, Objective explores a community-sourced gallery of objects, both mundane and monumental, and is an immersive appreciation of tangible things and the meaning they represent. Through visual portraiture and audio interviews, Okolo captures the importance we ascribe to the objects we hold dear, connecting us to one another through the truths gleaned in our own shared stories.

Obiekwe “Obi” Okolo is a Nigerian American photographer, multimedia artist, and designer. A product of two worlds— raised in both Lagos, Nigeria and San Antonio, Texas—his work, from an early career in architecture to his most current explorations with the written word and photography, is most concerned with visually articulating an anthropological approach to reconciling humanity to itself. Obi’s work has been displayed in various mediums, navigating disciplines such as portraiture, documentary photography, product design, and print collateral. Objective: The Things That Are Real is Obi’s inaugural exhibition capturing the multimedia essence of his artistic approach in Washington, DC.